The sun is a constant muse in my work. In this logotype, crafted with a Persian typeface, each dot becomes a tiny sun — a symbol of light and energy. This design was envisioned for a Persian-language literary publication, where every dot, every word, and every sentence glows like a sun, radiating warmth and meaning.
This logo was created for a plastic injection molding factory, inspired by the distinctive side view of plastic injection molding machines. By reducing complex forms to clean lines and combining them with the company's typography, I created a design that both looks modern and uniquely connects to the essence of the brand.
I designed this logo for a Vienna-based teacher and musician who values creativity and dynamic learning. By blending the imagery of a piano book with an eye, the design captures the energy and imagination he brings to his educational approach.
This logo was created for a hip-hop recording studio in Stockholm, driven by their love of East Asian culture and their focus on bold creativity in a distinctive sauce from the region they admire. To capture their vision, I combined the concept with an image of one of the band members that subtly evoked a Christ-like image - a metaphor for their role as pioneers of honesty and authenticity in their profession.
This collection included a design set for a piano solo concert in Vienna — a suite of visuals featuring the ticket, poster, and brochure. The inspiration bloomed from a composition born in the Land of the Rising Sun, Japan. With a poetic vision, I wove the quiet elegance of Japanese aesthetics into the timeless grace of classical music, creating a harmony between sound and design.
There is a Persian proverb known as “One Crow, Forty Crows.” It speaks of how a single word, once released, transforms as it travels from mouth to mouth — growing, shifting, and gathering layers of distortion and embellishment along the way. This poster, titled “One Crow, Forty Crows,” captures that evolution, giving form to the way stories take flight and reshape themselves in the air.
Langendorf United is a Swedish jazz band that recently dropped a new album, and I had the pleasure of designing its cover and artwork. They brought in a vibrant piece of fabric rooted in African culture, and I wove its patterns into the typography and textures, letting the fabric’s rhythm and soul shape the visual story of the album.
Here you can see my proposed design for a band concert poster.
This poster I designed delves into the world of strange and wondrous beings, known as Ajaib Al-Mukhqat — an Arabic title that carries an air of mystery. Beyond illustrating one of these enigmatic creatures, I aimed to let the Arabic typography itself breathe that same sense of strangeness and intrigue, turning the text into a visual echo of the unknown.
Every work carries its own mood, and its design must echo that essence. In this piece, my poster emerges as a photomontage built from my own image — a visual experiment where I unravel the world inside my mind, shaping its abstract landscapes and unspoken thoughts into a singular, striking composition.